’71 tells the story of a young British soldier (Jack O’ Connell), part of a platoon deployed to Belfast on an emergency basis. After a failed raid he gets stuck on the wrong side of enemy lines, and becomes stranded far from his company. During his night of trying to get home he becomes a symbol in a war he has no real part in, fighting against friend and foe in attempt to get home.
O’ Connell shines in this gritty and real look at the troubles in Northern Ireland from an outside perspective. His performance is a very natural one, which works perfectly in a film where the troubles themselves are the real scene stealer. It is a credit to Yann Demange’s direction that the main character manages to be bypassed, and we see him as the symbol in the fighting that he is, and yet we care no less about him as a character.
Despite the inevitable politics of a story like this it’s still an action thriller, and there are no shortage of moments to make you gasp in shock or recoil in fear, the unsteady nature of life in Northern Ireland at that time embedded on screen throughout.
O’Connell recently won the Rising Star Award BAFTA, voted for by the public and demonstrative perhaps of a change in the sea of public school boy’s role in modern cinema (something I am in no way complaining about however, hello Tom Hiddleston). As well as this, ’71 is a film that seems at first to be from a British perspective, but in reality says so much more about the lives of the Irish people living through the troubles in 1971.